Of all the major singers of the late 20th century, the author was one of the hardest to label. She recorded extensively in soul, jazz, and pop and was also comfortable with blues, gospel, and Broadway. She has subsequently been labelled as a 'soul' singer in terms of emotion, rather than form.
Offering a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. The author considers the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region.
' Gilot is a superb witness to Picasso as an artist and to his views on art . . . This memoir is both a vivid portrait of a monstrously difficult man and a brilliant depiction of a great artist at work' New York Times